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Sneak Peek at AIDA – and TDO’s Awe-Inspiring Set

Can’t wait any longer to get a look at the Dallas Opera’s AIDA, opening Friday, October 26th? I don’t blame you a bit for being curious. Fortunately, we were lucky enough to rate a segment on this...

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“Get Out There – and Come Back a Star!”

  Frankly, she was already an internationally acclaimed star but, nevertheless, there is a marvelous Busby Berkeley ”42nd Street” quality to the now-legendary Metropolitan Opera debut of soprano...

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Repeating with Emphasis!

It’s a good week to stop, check your calendars again, and make sure you’re not missing out on any of the terrific opera-tunities available to you in the weeks and months ahead. Here’s a rundown from...

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TDO: For All of North Texas

  It’s always particularly appreciated when people make an effort to attend a Dallas Opera performance, and doubly so when they come from out of town. A group from the Sulphur Springs Symphony League...

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Keeping Dancers on Their Toes

Choreographer Kenneth von Heidecke has returned to the Dallas Opera to work his magic on our dance-loaded production of AIDA. Gregory Sullivan Isaacs, special contributor to “Dallas Voice” has more on...

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AIDA – The First Wave

The first reviews are out, regarding the Dallas Opera’s spectacular season opener: Verdi’s AIDA with soprano Latonia Moore in the title role. Wayne Lee Gay of D Magazine’s “FrontRow” blog wrote that...

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Second Wave for AIDA

  The reviews continue to roll in for the Dallas Opera’s Season Opener: AIDA, featuring an incredible ensemble cast and starring soprano Latonia Moore in the title role. Olin Chism reviewed for the...

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AIDA – Still Making Waves

…in all the right directions. Latonia Moore’s performance in the title role has been universally acclaimed as “one for the ages.” But the strength of the other key principal roles has been noticed as...

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Aida sings Rachmaninoff, Puccini, Tchaikovsky…

Tonight at 8:00 at the University of North Texas Murchison Performing Arts Center, renowned soprano Latonia Moore (currently dazzling critics and audiences in the title role of the Dallas Opera’s Aida)...

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Like an Egyptian

Who isn’t interested in how grand spectacles like AIDA make it from the design table to the stage? Not to mention how you handle the “care and feeding” of vintage costume designs like those for this...

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